The two faces on a new mural in Westbrook radiate pride and humor. Not only did the artist channel his subjects鈥 personalities through his painting, but he also revealed bit of his own.
鈥淗opefully, it鈥檚 like a little time capsule,鈥 said. 鈥淧eople can look back at it years later and be like, 鈥極h yeah, that鈥檚 when those haircuts were in style鈥 or 鈥極h yeah, they wore those jeans.鈥 I always like that with works of art years later.鈥
The mural with its double portraits was the culmination of Adams鈥 tenure as artist-in-residence at the 杏吧传媒. He won the position with his proposal to create a large-scale painting in a public space. The mural is meant to honor people who may not otherwise be recognized for their contributions to the community.
Adams previously painted several other murals in the same style around the East Bayside neighborhood of Portland. He collectively called them the . The new mural built off his earlier success by expanding into Westbrook.
鈥淚 think you learn a lot about a community through its public art choices,鈥 Adams said. 鈥淲ith the expansion and growth of murals over the past five, six years 鈥 they鈥檝e always been a thing, of course 鈥 but I think it allows for a lot more variety outside of a traditional sculpture of a person who the street is named after or something like that.鈥
Adams began his residency a few weeks into the spring semester. The Academy Building in Gorham became his base of operations. He invited visitors to drop by during office hours every Wednesday to watch him work and discuss his process.
The blank walls of Adams鈥 studio soon filled up with bursts of color. Some of the pieces were small-scale studies for future murals. Others were fully realized paintings for exhibition. When Adams needed another set of hands, he turned to his intern, Katie Riley, for help.
Riley is a junior in the Studio Art program with a double concentration in painting and sculpture. As an aspiring muralist, she was especially eager to learn from Adams. Her lessons sometimes veered into the business side of the art world as she watched him deal with galleries and customers. But Riley was happiest when she was painting.
鈥淚t鈥檚 been really awesome. I鈥檓 getting such great firsthand experience,鈥 Riley said. 鈥淚鈥檝e already helped Ryan and his team in Augusta on a mural at the Augusta Teen Center. Ryan is letting me dive in and help paint on the wall, which was really my ultimate goal.鈥
Adams embraced the ambassador aspect of his residency with class visits and group discussions. One such forum on February 15 at the McGoldrick Center in Portland was open to the wider public beyond campus. It drew members of the artistic and business community to hear Adams talk about his life and work.
A front-row seat was reserved for Adams鈥 mother, Sheila Stovall. She encouraged his artistic talent from a young age at their family home in Portland. Stovall recalled how she used to spread paper on the living room floor so he could let his imagination run wild.
鈥淚t is so heartwarming, number one, to see him make a living with something that he loves doing, and to be so involved in the community,鈥 Stovall said. 鈥淚t seems like his artwork, to me, gives the community joy and happiness to see what he鈥檚 created and what he creates. It鈥檚 just wonderful to see it all come full circle.鈥
As Adams matured artistically, he developed a personal style that stressed accessibility. He connects with his audience by transforming the drab cement or brickwork of their neighborhoods into something beautiful. Gemlike geometric patterns are his specialty. The designs often contain hidden words and longer messages.
Adams鈥 preferred medium is spray paint. Being Black, he knows that some people feel uneasy to see him point an aerosol can at the side of a building. Adams wasn鈥檛 cowed by their preconceptions. Instead, he was fueled by it to prove them wrong and push himself to reach his full potential.
Marriage added new dimensions to Adams鈥 art. His wife is , an accomplished artist in her own right. They bounce ideas off each other and collaborate on designs, including the mural for Adams鈥 residency. Rachel was involved in every step of the process from choosing the subjects of the portraits to painting alongside her husband.
Jill Ostiguy listened intently to the biographical details that Adams shared at his forum on February 15. She is a freshman majoring in Environmental Policy and Planning with a minor in Art. Her hometown didn鈥檛 have many outlets for artistic expression, and she was eager to explore the opportunities that USM had to offer.
鈥淗earing that a muralist was going to be here to do an artist-in-residence, I was so pumped and excited,鈥 Ostiguy said. 鈥淎nd then I started working right across from one of his murals. It was a sign to really jump in and do it.鈥
The mural that inspired Ostiguy is a portrait of Nicole Mokeme. She was the founder of the Rise and Shine Youth Retreat which sends teenagers of color on camping trips in Bowdoin. Mokeme died in 2022, but the mural that Adams painted along Diamond Street in Portland ensures that her face will remain familiar to people in that neighborhood.
Adams wanted to find a neighborhood in Westbrook that would embrace the mural for his residency just as wholeheartedly. The owners of Arabic Market offered up the back wall of their building on Bridge Street, overlooking a scenic walking trail that traces the Presumpscot River.
The wall was big enough for two portraits. Adams spent weeks researching a list of candidates before finally choosing Pat Gallant-Charette and Zoe Sahloul. Gallant-Charette is a Westbrook native who set multiple world records for long-distance swimming. Sahloul immigrated to Westbrook from Lebanon and advocates on behalf of fellow immigrants.
The mural depicts the two women in cinematic-style close-ups, focusing on their head and shoulders. The portraits span almost the full height of the building at roughly 14 feet tall. They鈥檙e rendered in greyscale, but the colorful background of blues and purples makes the faces stand out.
Painting began in early April. Some mornings were so cold that Adams could barely feel the paint cans in his numb hands. He agonized over the likenesses. His eyes constantly darted between his work-in-progress and the photographs that he kept for reference. There was professional pride in his effort, but also respect for his subjects.
鈥淭he people are what make this place great,鈥 Adams said, 鈥渟o we want to show that we honor and value their contributions.鈥
Adams finished painting the entire wall in about a month with help from his wife and students. But his involvement in the mural will never truly end. He keeps color logs of all the paint that he used for touch-ups in the years to come. Since the mural is on the shady side of the building, fading shouldn鈥檛 be too much of a problem.
Kat Zagaria Buckley was there at the beginning of the project. In her job as USM鈥檚 Director of Art Exhibitions and Outreach, she was on the committee that selected Adams for the residency and oversaw his progress all the way up to the mural鈥檚 completion.
鈥淚 think it can be a beacon of learning for those who decide to come up to the mural and learn more about the individuals that are depicted in it,鈥 Zagaria Buckley said. 鈥淚 think it鈥檚 also an opportunity for the art world to meet other individuals who have outsized impact in our community.鈥
The quiet rollout of the finished mural is about to get louder. A ribbon-cutting ceremony is planned for June 5. University and city leaders will come together to congratulate Adams and celebrate his creation.